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ORCHESTRALMETAL.COM

Divine Disorder release their debut single: 'Children of Menace'

23/5/2012

 
This is the first track from the Kuwait-based band's debut single, which has just been released via their website http://www.divine-disorder.com/single.php.  Karl Sanders (Nile) contributed the guitar solo for this track, and Psy Coma ( Kovenant) orchestrated it.  

Jon Phipps orchestrated the second track, which follows:
The guitars, drums, synths, and vocals were all recorded in different parts of the world: see the above mentioned website for more detailed info on all those who contributed their talents to this project.  

More closely to home though, the violin soloist on this track is Elle Torry, a fellow musician from Colchester, who Jon previously worked alongside on Fornost Arnor's albums (see session work).    

The full Divine Disorder album will be released later this year.  Go to http://www.divine-disorder.com/single.php for a free download of the 'Children of Menace' single.  

Jon is currently working on more orchestrations for the remaining album tracks, and he has also contributed a guitar solo to one of the songs: a sample of this can be heard on the home page of this website.  

Darkvain Jassem link
8/11/2012 04:21:33

Children of Menace Single was released at 23rd of May, 2012.
The single released included two tracks titled:
-Children of Menace
-Code:RED

Since I am talking about Jon Phipps here then we are talking about Code:RED.
The track require someone who didnt just have the ability to write any sort of score or movie music but also someone who has a great background of how detailed orchestral elements should be. the track went into a vibe of wondering questions and confusion atmosphere.
Jon Phipps took our intial basic composition (Divine Disorder) and reshaped them just perfectly into what the track deserved best.
and with the help of the great violinist Elle Torry who happens to be a good friend of Jon, by providing a touchy performance on the violins.

Very great work and I pretty much enjoyed the workflow.
It was friendly and the music-friend-ship between us while working on those pieces where at its best.

Thanks Jon.


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